When a photographer/artist takes a picture like The Sunning Tree it only represents half of the overall work put into producing the complete work. After the camera shutter clicks the last picture of the day, the photographer goes home and usually uploads the shots to a computer for touch-up work. This is to enhance the magic that the artistic side of the photographer wanted to share with the world. It is in this place that the raw picture is subtly changed into a worthy piece of art.
Now, we are not talking about or even suggesting changing major elements in a photograph to a way that resembles the modern-day fashion industry. I prefer to stay out of that dangerous arena when dealing with my subjects. Not that a squirrel or lizard ever went viral on the Internet protesting that they are victims of overzealous Photoshop airbrushing, at least not yet..
No, the latest embarrassment of Target Corporation showing horribly amateurish computer edited sections of a swim model’s body on their website shows the dangers of over processing that I believe most artistic photographers would very much like to avoid. We all want recognition for our work, but the type of recognition is important too.
It is with the choice of artistic editing in mind that I present The Sunning Tree. One of the more difficult choices modern-day photographer can face is the choice of light and the colors contained in a particular shot.
Every picture I take has a specific item or thought behind why I take it. But, like a painter looking at a blank canvas and deciding on watercolor or oil, a photographer discovers a scene and decides on the type of post processing he wants to work with.
It is my belief that all photographers choose to use a form of processing. There is no difference whether you are dodging and burning in a dark room or clicking on software light curves in front of a computer monitor. Even if a photographer is a complete “only as the camera sees it” purist and refuses to use processing in his pictures that is his choice for processing.
In this case I turned the picture to black and white. Why would I do this? What was wrong with the color version? Well, honestly nothing was wrong with the picture in its original state. That is if you enjoy the color brown.
This lizard was a brown anole lizard hanging off a brown tree trunk. Uninspiring. Yet the thing that drew me to the picture was the lighting and I knew that only by removing the brown color could we really see the impact of what this little guy had to show the world.
The shades and textures of the sunlight both directly and indirectly give this photograph a sense of place and mood.
You see details it his face and the underside of his chin that blended and were lost in the original brown. Even his ribs become more pronounced and highlight the contrasting lines of the bark that he is sitting on.
Even the small and barely noticeable glint in his eye becomes a notable feature of this unique creature. But only in Black and White. So, I took this particular shot and earmarked it for conversion to the black and white print you see.
Will all of my pictures be black and white? No. Black and white is a method to help portray my “artistic madness”. Sometimes it works wonders and other times a subject is best left in it’s original colored state.
There are countless times when I believe that a photograph will look lovely in Black and White only to have it lose the very emotion that made me take the picture. It’s like a painter figuring out that they used the wrong paint for their vision.
Black and White conversion of photographs is a wonderful tool to have in your photographer’s tool belt. I hope that you see the results when its hanging on your favorite wall.
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