Railroad Freight Sign

Does Your Art Have Heft?

Here is a post brought to us by Michael Zhang of Petapixel.  http://tinyurl.com/cxcutk6 about a review of photographic art by Andrew Graham-Dixon of The Telegraph in London.

It’s a great post, and the article in The Telegraph http://tinyurl.com/corwqco is worth a read also. However, I do not think that Mr. Dixon is a big fan of photography. He is too busy lifting the weight, heft, of his bias towards only one form of art. The quote in the article is:

“The truth is that very few photographers have ever produced images with the weight of thought and feeling found in the greatest paintings. The camera is certainly an artistic tool, and photos can certainly be works of art. But can they be works of art of the same order as paintings? Modern critical orthodoxy would say yes. But the real answer is no. Photography lacks the depth and heft, the thinking sense of touch, that painting possesses.

That is why the greatest images of the last 150 years– the images people argue about, contest, return to again and again – are not photographs but paintings”

This made me wonder what would happen if we started to look at other forms of fine art from the same hefty reference point.

“The truth is that very few sculptors have ever produced works with the weight of thought and feeling found in the greatest paintings. Clay for bronze casting is certainly an artistic tool, and sculptures can certainly be works of art. But can they be works of art of the same order as paintings? Modern critical orthodoxy would say yes. But the real answer is no. Sculpture lacks the depth and heft, the thinking sense of touch, that painting possesses.

That is why the greatest art of the last 150 years– the art people argue about, contest, return to again and again – are not sculptures but paintings.”

Nope, still sounds rather hefty.  I wonder how he would define a class of preschool finger painting?
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